Down memory lane
RECENT mention of Jackie McGlew and his record slowest
century provokes reminiscence in retired headmaster and cricket
personality Tom Lambert,
Jackie was an opening batsman who skippered his club, Old
Collegians, as well as Natal and South Africa. Old Collegians
played in the Pietermaritzburg league and was a "closed" club
- membership confined, as Tom reminds us, to old boys of
Maritzburg College.
But when demon fast bowler Neil Adcock – a product of Jeppe
High – relocated to Pietermaritzburg from Joburg, the rules were
bent. Old Collegians suddenly became an "open" club and Jackie
McGlew had at his disposal in club games his opening bowler at
Test level.
Tom played for Zingari in Adcock's first club game for Old
Collegians. It was at the Oval in Alexandra Park.
"I have never seen such a crowd for a club match at the Oval, a
place where cars would drive up to the boundary and hooters blew
when good things happened on the field. This particular Sunday
the ground was packed with cricket lovers come to see the great
Neil Adcock in action."
Zingari won the toss and chose to bat. Adcock took the first over,
the crowd expectant. Tom was batting at No 11. The over was
pretty innocuous, a damp squib. McGlew took Adcock off.
Then Zingari's batsmen started getting among the runs. Back
came Adcock, this time fuming and furious at having been taken
off after one over. He proceeded to deliver a series of thunderbolts
that almost decapitated the batsmen and wrought havoc.
"I certainly won't forget that game," says Tom.
He neglects however to tell us how he eventually went in at No
11 and proceeded to hoick Adcock to every corner of the ground,
saving the match for Zingari and causing a blare of hooting in
approbation.
It's Tom's innate modesty.
Wot a winker!
ONE of the Zingari batsmen who were getting amongst the runs in
that match was a certain Viv Biggs, one of the more mischievous
characters of cricket.
In another game – this time at the Collegians oval, not the
main one - Viv was opening for Zingari. As the opening bowler
thundered in, he suddenly collapsed and rolled about laughing.
Viv had clipped on a battery-operated clown's nose that was
winking as he approached.
The umpires and the cricket authorities were not amused.
Bad light
THEN there was the time old Frank Smith – possibly one of
the fastest bowlers ever in South Africa but uncapped in Tests
because of the Great Depression and World War II – walked out to
bat for MCC (Maritzburg Cricket Club) after a failed appeal against
the light.
He was waving a hurricane lantern. "Where are you? I can hear
you but I can't see you!"
The umpires and the cricket authorities were scandalised.
Lift needed
THEY'VE been doing the SAG Awards in London. The name
conjures up images of ageing actresses gone droopy about the
bodice; film heroes of yesteryear gone paunchy and with double
chins.
The Screen Actors Guild really need to think of something more
zippy as a title for their awards ceremony.
Surfeit
OVERHEARD in the Street Shelter for the Over-Forties: "I've seen
it all, done it all – can't remember most of it."
Oil and gold
INVESTMENT analyst Dr James Greener notes in his latest
grumpy newsletter that at a ratio of nearly 27 barrels of oil for a
single troy ounce of gold – a millennial high - prospects for our
gold-rich, oil-poor nation should be amazing.
"Instead, however, we are wondering how to keep the lights
on, the national airline solvent, the broadcaster honest and the
citizenry from attacking one other."
Tailpiece
HR Manager: "What kind of employment package do you expect?"
Applicant: "I'd expect R400 000 a year starting salary. Six weeks'
holiday a year and a Jaguar for company car."
HR Manager: "Okay, how about this? R500 000 a year, rising to
R700 000 after two years. Eight weeks' annual leave. Your own
secretary and PA and we promote you to board level after four
years?"
Applicant: "Wow! You've got to be joking!"
HR Manager: "I am. But you started it."
Last word
There is no abstract art. You must always start with something. Afterward
you can remove all traces of reality.
Pablo Picasso
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